Critical Analysis of Coriolanus Play: Representation of Poor and Noble Romans

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In Coriolanus play, Getting a name is closely associated with having an identity , so if a person does not have a name, he is nothing. Comenius said about Coriolanus ‘He called me by my name only once, and I reminded him of our relationship and the blood we’ve shed together. He wouldn’t answer to ‘Coriolanus’ or any other name. He was a kind of nothing, titleless, until he had forged himself a name out of the fire of burning Rome’(A5 ,S I). Coriolanus, at the start of the play, had a good sense of self. As the play develops he falters and decides to become extremely independent, refusing even to acknowledge the name that his mother gave him throughout the play, he changes his name and identity on a frequent basis. Coriolanus opposes Rome's social values and creates his own set of virtues to live by.

Coriolanus was despises the poor and feels disgusting from them. He was rebukes the poor, hungry for daring to beg for corn. Coriolanus said ‘What’s the matter, you dissentious rogues that rubbing the poor itch of your opinion, Make yourselves scabs?’(A1, S1). In the play's first scene, Coriolanus punishes the poor of Rome for requesting food to eat. He chastises the famished wretches for requesting corn from the aristocracy, which he considers to be a criminal act. When Coriolanus was elected consul, he promised to deny food to the poor unless their rights were removed. The right to appeal to the tribunes, or people's representatives, was the most important of these privileges, which was granted to please the people after the plebeian secession. The system of tribunes, the vocalizers (and influencers) of the common will, was something Coriolanus hated more than anything else in the real world. After becoming consul, not only did the Coriolanus refuse the poor corn, demanding the revocation of their privileges, but he also requested that their spokesmen be deprived of their influence.

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The group of Roman nobles tries to convince Coriolanus to change his character. ‘Let them puff all about mine ears, present me Death on the wheel or at wild horses’ heels, Or pile ten hills on the Tarpeian rock, That the precipitation might down stretch Below the beam of sight, yet will I still Be thus to them’ (Act 3, scenes 2).Here Coriolanus informs a group of Roman nobles in this scene that he has no intention of altering his character to satisfy the mob's desires.In Coriolanus play, Getting a name is closely associated with having an identity , so if a person does not have a name, he is nothing. Comenius said about Coriolanus ‘He called me by my name only once, and I reminded him of our relationship and the blood we’ve shed together. He wouldn’t answer to ‘Coriolanus’ or any other name. He was a kind of nothing, titleless, until he had forged himself a name out of the fire of burning Rome’(A5 ,S I). Coriolanus, at the start of the play, had a good sense of self. As the play develops he falters and decides to become extremely independent, refusing even to acknowledge the name that his mother gave him throughout the play, he changes his name and identity on a frequent basis. Coriolanus opposes Rome's social values and creates his own set of virtues to live by.

Coriolanus was despises the poor and feels disgusting from them. He was rebukes the poor, hungry for daring to beg for corn. Coriolanus said ‘What’s the matter, you dissentious rogues that rubbing the poor itch of your opinion, Make yourselves scabs?’(A1, S1). In the play's first scene, Coriolanus punishes the poor of Rome for requesting food to eat. He chastises the famished wretches for requesting corn from the aristocracy, which he considers to be a criminal act. When Coriolanus was elected consul, he promised to deny food to the poor unless their rights were removed. The right to appeal to the tribunes, or people's representatives, was the most important of these privileges, which was granted to please the people after the plebeian secession. The system of tribunes, the vocalizers (and influencers) of the common will, was something Coriolanus hated more than anything else in the real world. After becoming consul, not only did the Coriolanus refuse the poor corn, demanding the revocation of their privileges, but he also requested that their spokesmen be deprived of their influence.

The group of Roman nobles tries to convince Coriolanus to change his character. ‘Let them puff all about mine ears, present me Death on the wheel or at wild horses’ heels, Or pile ten hills on the Tarpeian rock, That the precipitation might down stretch Below the beam of sight, yet will I still Be thus to them’ (Act 3, scenes 2).Here Coriolanus informs a group of Roman nobles in this scene that he has no intention of altering his character to satisfy the mob's desires.

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Critical Analysis of Coriolanus Play: Representation of Poor and Noble Romans. (2022, September 27). Edubirdie. Retrieved April 25, 2024, from https://edubirdie.com/examples/critical-analysis-of-coriolanus-play-representation-of-poor-and-noble-romans/
“Critical Analysis of Coriolanus Play: Representation of Poor and Noble Romans.” Edubirdie, 27 Sept. 2022, edubirdie.com/examples/critical-analysis-of-coriolanus-play-representation-of-poor-and-noble-romans/
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Critical Analysis of Coriolanus Play: Representation of Poor and Noble Romans [Internet]. Edubirdie. 2022 Sept 27 [cited 2024 Apr 25]. Available from: https://edubirdie.com/examples/critical-analysis-of-coriolanus-play-representation-of-poor-and-noble-romans/
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