Recurrently, ideals comprise a further connotation apart from the word arrangement on the paper, the symbols so graciously called letters constitute the smallest portion of the main theme. A wordsmith is entirely capable under approximate circumstances to tell a short story with scarcely any indirect utterances that substantiates the theme. Words do not perpetually comprise the theme; under certain circumstances a writer will use literary devices and methods to present the theme. For instance, In ‘The ones who walk away from omelas’ the audience has to comprehend the symbolism, word choice, and plot to comprehend the theme. “The Ones Who Walk Away from Omelas” postulates that happiness cannot exist without pain resulting from suffrage. In the fantasy town with a idealized content, LeGuin persistently declares that a single individual uncircumstantial has to endure extensive abuse in exchange for others contentment
The theme could not be perceived in the story without the symbol of the sole neglected individual that represents self conceit and iniquity. Iniquity by the means of believing that it is alright to abuse an individual and remove contact from society for everyone’s happiness to blossom. If this child was“cleaned and fed and comforted. . .in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed” (Le Guin, 601). Those who do not walk away have placed themselves above the life of another. These self conceited individuals believe their content is more significant then that of one child, because “To exchange all the goodness and grace of every life in Omelas for that single, small improvement: to throw away the happiness of thousands for the chance of the happiness of one: that would be to let guilt within the walls indeed” (le guin, 601). Yet, the ones who walk away from Omelas stand for the fight against self conceit and iniquity.
Word choice is a significant contributor to the foundation of the theme. The author uses imagery and adjectives like “decorous” or “bright” to enhance the perception and give dimension to the theme. The name Omelas was carefully chosen because of its mythical sound when spoken. However, most importantly is the point of view which is particularly third person because it creates the opportunity to further influence the audience. That is by virtue of all things being acknowledged, the audience is able to significantly comprehend the contentment of the Omelas while perceiving the immolate of the individual.
In contrast to the importance of symbolism and word choice to the foundation of the theme, the plot creates the theme. Without a plot there is no story or theme. The plot actuates the characters to influence the story, and chronologically associates the events. Not to mention it, creates the audience’s urge to continue reading by catching their attention. If the readers never finished the story they would not clearly comprehend the theme. In “The Ones Who Walk Away from Omelas”, the narrator starts the story with the introduction of the citizens assembling at the festival. Then leads into the rising action with the suffrage of one individual for the content of the town. Many individuals see the suffrage, some becoming hysterically disturbed. Tho, as the audience reaches the climax it becomes clear that those hysterically devisatated eventually come to terms of acceptance that the individual must endure the suffrage for Omelas’ prosperity. Yet, the falling action shows that not everyone, “The Ones Who Walk Away from Omelas”, was accepting of the uniquity.
The theme is not perceived by the arrangement of letters but by the use of literary devices and methods. The audience has to comprehend the symbolism, word choice, and plot to comprehend the theme. The plot creates the opportunity for the theme to develop while symbolism and word choice lay the foundation for the theme.