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The Concept of Loss in ”Dover Beach” and “The Waste Land”

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Most of piece of writing values aren’t told expressly. Several values were hidden between words. The words can have 2 interpretations that are the literal that means and also the hidden meaning. This double that means principally are often found in poetry in type of sign. Those signs will have completely different that means besides the literal meaning. The assistance to interpret signs is semiotic. Semiotic could be a study concerning signs. In his reading of The Waste Land, Philip Sicker points out: ‘The poem is a couple of sexual failure that signifies a contemporary non secular failure. Indeed, as Sicker points out, there is a variety of sexual implications within the Waste Land, and these sexual implications are related to the sense of the loss of a vicinity of the body.

The poem proceeds, the grief of the loss of faith extends to a sense of despair towards the end. The gradual process of the change of people hurts Arnold because people are unaware of the changes taking place and they do not think it particularly wrong and sinful. Arnold compares his feelings with the feelings of Sophocles, a great play writer, who also listened to the sad music of the waves, which brought into his mind the miserable plight of humanity. Before the development of science and technology, people had truly believed in the religion and thought that they were in total control of God. The metaphor ‘Sea of Faith’ which presents the religious faith of people, used to be full, beautifully spread out and deep. This sea of faith once enriched and protected the entire humanity. But, now the sea of faith is no longer full because the people have turned their backs on God and they have involved themselves in the glamour of materialism. Arnold points out that without faith humans are ‘Naked’; they have no protection, and defense. Arnold presents the uncertainty of the longer term of humans. The world of science and technology appears to be a dream world – therefore stunning, so varied, extraordinarily esthetic, and so new. The author feels that there’s no real joy and happiness left during this world, it’s solely a deceptive and delightful mirage. Arnold expresses the failings of modernism during this literary work. He believes that modernization of the globe will definitely bring an entire loss of religion.

The technique of assembling “fragments” or “broken images” from the past into a kind of mosaic allows him right away to recommend parallels between modern issues and earlier historical things and to befuddle the reader, turning the reading process into a model of contemporary, urban confusion. It parallels the cubist use of collage, occupation attention to the linguistic texture of the verse form itself and to the material. Like Matthew Arnold, Eliot conjointly appreciated the diligence of thought and a spotlight to culture and art. The verse form functions as associate outlet for Eliot’s anxieties round the loss of cultural and ethical identity or moral degradation. He’s singing his dislike for his surroundings within the Post warfare I. The title The Waste Land describes his sentiments of the dry infertile world. The globe that “lacks ancient structures of authority and belief”, thus, solely containing “soil which will not be tributary to new growth” (Lewis). Section 5 of the verse form reconnects to the initial concepts found in section one. Eliot Says:

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“There is not even silence in the mountains But dry sterile thunder without rain There is not even solitude in the mountains. The literary composition as “efforts of the fashionable literary imagination to mythologize the expertise of contemporary life” (227). notwithstanding whether or not he’s prospering or not in looking for an answer within the values of the past, the fashionable man creates a dismal image of contemporary Europe through subtly however urgently expressing his want for a cure for his disillusionment by frequently returning to the past. information of this modernist reasoning is crucial in understanding the principle, logic, or philosophy that’s underlying The Waste Land—the foundational force that binds the fragmented parts of the literary composition and provides them which means is, as Brooker argues, The poem’s continuous however refined target the past reflects the modernist viewpoint;. as a result of they are disenchanted with the condition of their society, modernists don’t believe that the currently existing concepts of their society can restore happiness and security within the future.

The term “modern” is usually understood as associate degree adjective expressing the state of being modern or possessing the qualities of current vogue. In art and culture, however, the terms fashionable and modernism pertain to the beliefs and philosophy of the society throughout the late nineteenth to the first twentieth century. as a result of the thought has THE WASTE LAND five two totally different accepted meanings, the characteristics that represent modernism and also the modern world ought to be outlined to know The Waste Land as a modernist verse form.

The whole literary work is that the speech of 1 unidentified male character selfaddressed to a unidentified lady, presumptively his beloved. there’s no dramatic interaction between them in this the feminine observer is silent throughout the literary work. Everything concerning the passive observer and also the dramatic scenario is discovered within the speech of the speaker. The time is night and also the place could be an area with a window dominating Dover beach in European country.

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The Concept of Loss in ”Dover Beach” and “The Waste Land”. (2022, September 15). Edubirdie. Retrieved October 3, 2023, from
“The Concept of Loss in ”Dover Beach” and “The Waste Land”.” Edubirdie, 15 Sept. 2022,
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