Natasha Matilda Smith shows an exhibition installation in which the gallery presents itself as a sort of meta-space, through the intentional employment of obvious conceptual metaphors connected to the bedroom. The gallery illustrates an artist’s bedroom. A space exists as both a psychological extension and material manifestation of her empirical reality with romance, sexual intimacy, and social anxiety.
Her works are conceived and imagined in her bedroom, including short essays, audio-visual components, and romantic portraits. There is also a love-shaped bed on the exhibition site, where the audience can lie on the bed and look at the words projected on the wall, so as to deeply consider whether her current situation is similar to the artist's anxiety. However, personal information is only provided in the form of contradictory statements and anonymous images. According to Matilda Smith, the job is done through the monotonous hours of lying in bed browsing the Internet. It shows the artist's continuous experience of boredom and uneasiness, her interest in the hedonistic state of a generation, her pursuit of self-realization desire, and her self-devaluation through the network platform.
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The whole exhibition interrogates states of melancholy and despair as a consequence of the failure to achieve self-fulfillment. Matilda Smith creates a bedroom space through photos, words, music, and other conditions (Why choose the bedroom as the exhibition space? I think it is because the bedroom is a private place for people. People will show their most real and tender self here).
Edward Hopper was born in New York, in a middle-class family. His father was a businessman, but his mother was interested in painting, probably he inherited his mother’s artistic sense, he had a deep love for art when he was a little boy. However, because of his introverted character, he was isolated by his classmates because of his reticence. Gradually, he transferred the indescribable loneliness to his paintings.
Some of Hopper's figure paintings focus on subtle interactions between people and their environment, which are accomplished by individual characters, couples, or groups. His main emotional themes are loneliness, loneliness, regret, boredom, and obedience. He expresses his emotions in different environments, including those in offices, public places, apartments, on the road, or on vacation.
In “Hotel Room”, the image of a woman who indulges in her own thoughts is in sharp contrast to the desolation in the room. The lines and colors of the rooms are bright and plain.
Hopper's lonely image is mostly female, dressed in half clothes, naked, often reading or looking out of the window, or in the workplace. Different from the past artists who painted female nudity to beautify the female form and highlight female pornography, Hooper's nude painting is a lonely woman, they are exposed psychologically.
“Hotel room” is a powerful expression of hope's interest in solitude. In this large-scale painting, the ingenious geometric simplicity achieves the immortal effect. The lines of objects in the room are smooth, and the texture of color creates a dramatic atmosphere. A tall, slim, thoughtful woman sat on a bed, looking down at a piece of yellow paper in her hand. The scattered clothes in the room seemed to indicate the inner upset of a woman. The name of the work also indicates that the woman is not at home, which also reflects the confusion and loneliness far away from home. The isolation of his subjects was heightened by Hopper’s characteristic use of light to insulate people and objects in space, whether in the harsh morning light or the eerie light of an all-night coffee stand. He strongly influenced the Pop art and New Realist painters of the 1960s and 1970s.
It was a piece created during wartime; and many believe that their disconnect with the waiter, and with the external world, represents the feelings of many Americans during this period, because of the war.
“Nighthawks,” a masterpiece by Edward Hopper, depicts people sitting at restaurants. I think the two on the right are lovers, and the man on the back is sitting alone. The only waiter in the restaurant, though he raised his head, seemed to look at the window behind the customers.
The painting depicts the loneliness of modern urban life which is the theme that Hopper always used. At the time when the painting was finished, fluorescent light technology just appeared. Maybe it can explain why the restaurant in the painting emits a strange and gloomy light compared with the empty and dark street outside the window. If you look carefully, you will find that there is no obvious door to let the guests out of the restaurant, indicating another theme of the painting: imprisonment and restriction.
“Nighthawks” shows customers sitting at the counter of an all-night restaurant. The shapes and diagonals are carefully designed. From the sidewalk, it's a cinematic view, as if the audience were approaching the restaurant. The dazzling lights in the restaurant separate it from the night outside, enhancing the atmosphere and subtle emotions.
The style of Hopper’s paintings shifted from the early landscape to the gloomy urban life. He was famous for describing the lonely American contemporary life. His paintings give people a sense of melancholy. He describes the city as not what we think, he uses a large area of color and the treatment of light to describe the loneliness behind the city.
There were always rooms without people and people with ambiguous expressions (only the back and side), quiet streets without cars or people.
Hopper chose to paint the room in fairly basic colors that looked dull and lifeless. Warm colors are used where the sun shines, while cool tones are used in the shadows, forming a strong contrast. Observers are able to glimpse some details of the street below, which further enhances the serenity and loneliness within the walls of the room. In the morning light, the outside world and the inner world are connected by windows, and the sun establishes a connection between the two worlds.
“Morning Sun” shows in the morning, the woman faced the sun expressionless as if lost in thought. The building outside the window shows that the woman's room is very high, and the bare walls indicate the desolation and loneliness of city life. It is said that the image of this woman is based on Hopper’s wife.
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