The Epic Introduction • From Ancient Greece came oral epic poetry, which served as the raw material for Homer’s sophisticated epics, the Iliad and the Odyssey. These works deal, respectively, with the Greek conquest of Troy and the wanderings of the hero Odysseus after the Trojan War. The Homeric epics convey such values of ancient Greek culture as bravery, skill, honor, reverence for the gods, and intelligence. Folk/Literary Epics • There are two main types of epic— the folk epic, created and developed through the oral tradition, and the literary epic, a story attributed to a single identified author. Folk Epic • Folk epics are stories about heroes that were originally recited or sung as entertainment at feasts. Over the generations, these stories were passed down orally from storyteller to storyteller until eventually they were written down. Literary Epic • Literary epics were writer by a specific author, usually borrowing the style and characteristics of the folk epic. Some literary epics draw upon well-known stories, characters, and myths that were passed down through the oral tradition. For example, Homer’s Iliad and Odyssey are often classified as folk epics, although ultimately they were attributed to these authors. Both epics are characterized by certain key elements: Epic Hero • An Epic Hero: An epic focuses on the adventures of a larger-than-life main character called the epic hero. This hero is strong, brave, loyal, and virtuous, although he is sometimes flawed. The epic hero also occupies an elevated position in society. He may even be semidivine. Epic Conflict • An Epic Conflict: The plot of an epic centers on the hero’s struggle against an obstacle or a series of obstacles. The hero proves his strength, bravery, wisdom and virtue through valorous deeds— success in battle or adventure. Heroic Quest • A Heroic Quest: Often, the hero’s adventure takes the form of a perilous journey, or quest, in search of something of value to his people. Hmmm…sound like archetypes? Divine Intervention • Divine Intervention: The epic hero often receives help from a god or some other supernatural force. However, a different god may also work against the hero. In addition to these key elements, epics also share certain literary characteristics, called epic conventions: Theme/Invocation • An epic usually begins with an opening statement of theme, followed by an invocation, or appeal for supernatural help in telling the story. In Medias Res • The story begins in medias res (Latin for “in the middle of things”). Readers are plunged right into the action, and then flashbacks and other narrative devices report on earlier events. Tone/Style • An epic has a serious tone and an elevated style that reflect the importance of its characters and theme. Epic Similes • Epics often include epic similes, elaborate extended comparisons using “like” or “as.” Epithets • Epics typically include epithets, or stock descriptive words and phrases. Because these poems were originally composed and recited orally, epithets were kind of a shorthand that allowed the poet to describe a character or an object quickly in terms the audience would recognize. Homeric epithets are compound phrases such as “the wine-dark sea” or “the gray-eyed goddess Athena.” • If you’ve actually read to the end of this, then you know that if you have HANDWRITTEN notes (not a printed out copy of this PowerPoint), then you might be able to use them on an open notes quiz on this information tomorrow. The end….?