21M.301—Common errors in student work Table of Abbreviations abbrev. CC penalty Aldwell & Schachter (2nd or 3rd ed.) –5 –2 / note –2 / note –5 –5 Ch. 10, 19 see index, “figured bass” see index, “figured bass” Ch. 5 Ch. 5 –3 to –5 –3 to –5 see index, “cadence” Ch. 9, 11 –5 –5 –5 –5 Ch. 6, 25 Ch. 1 Ch. 1 Ch. 6, 7 –5 –3 –5 –5 –5 Ch. 5 Ch. 5 Ch. 6, 12, 23, 24 Ch. 5 Ch. 20 –5 –5 –5 Ch. 5 Ch. 5 Ch. 5 harmonic rhythm contradicts the meter, –3 to –5 improper placement of a cadential six-four incomplete measure mismatch of durations –5 –2 / note –2 / note see index, “rhythm and chord progression” Ch. 10 Ch. 3 Ch. 3 –3 to –5 –3 to –5 –3 to –5 Ch. 5 Ch. 5 Ch. 5 transgressions = Chord Construction improper use of a second-inversion triad inclusion of tones not specified by the bass figures omission of tones (or alterations) specified by the bass figures omission of the root or third (major or minor triad) omission of the root, third, or fifth (diminished triad) HS = Harmonic Syntax inappropriate cadence harmonic retrogression LT = Leading Tone doubled leading tone, failure to form the leading tone as specified by figures neglecting to form the leading tone in a minor key failure to resolve a leading tone properly MW = Melodic Writing augmented melodic interval diminished melodic interval failure to resolve a seventh properly large leap requiring a change of direction (before and after) non-triadic tone approached and departed by leap PC = approach to a Perfect Consonance [created by motion in the same pair of voices] simultaneous leaps to a perfect consonance successive perfect fifths (or their octave expansions) successive octaves (or their octave expansions) RE VR = Rhythmic Error = handling of Vertical Relationships more than an octave between adjacent upper voices overlapping of parts voice crossing

Simplified Errors Table - Abbreviations

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