University:
Eastern Kentucky University
Course:
MUH 273 | Survey of American Popular Music
Academic year:

2020
Views:

327

Pages:

2
Author:

Marilyn James

Chapter 3&4: 1. Phil Spector referred to the singles he produced as: A: Teenage Symphonies 2. Who developed the WALL OF SOUND? A: Phil Spector 3. All of the following were considered rockabilly pop musicians EXCEPT: A: Jan & Dean 4. The focus of American Bandstand was: A: teenagers dancing to pop music 5. “Be My Baby” was a hit for: A: the Ronettes 6. The pop audience’s perception of the image and authenticity of folk music was the result of the: A: effort of the music industry to market the movement 7. The Beach Boys’ “Surfin’ U.S.A” is a clearly reworked version of Chuck Berry’s “Memphis”: A: False 8. Almost no aspect of pop music in the early 1960s was completely immune from the influence of Brill Building practices: A: True 9. All of the following are examples of girl groups EXCEPT: A: the drifters 10. A playlet is: A: short song telling a humorous story 11. The group that was referred to as the anti-beatles was the Yardbirds: A: False 12. In the late 1950s and early 1960s, the British music industry was dominated by: A: large companies and major labels 13. The animals were fronted by the powerful blues singing of: A: Eric Burdon 14. “Please please me” was the song that finally broke the Beatles into the American pop market in late 1963. A: False 15. Who was NEVER a member of the beatles: A: Cliff Richard 16. “Rave Ups” was/were: A: improvisatory passages performed by the Yardbirds 17. All of the following were guitarists for the Yardbirds EXCEPT: A: John McLaughlin 18. The individual responsible for changing the image of the stones was: A: Andrew Loog Oldham 19. All of the following features classify “Tomorrow Never Knows” as a work of art EXCEPT: A: structural format found in American pop 20. The early songs in the stones career were primarily: A: Blues-inspired covers