Fundamentals of Hair Sculpting and Analysis

University:
Fashion Institute of Technology
Course:
SC 146 | Basic Chem For Cosmetic Frag
Academic year:

2023
Views:

451

Pages:

1
Author:

gewoekerdodx

9.1 Question Hair Sculpting abstract detail basic structure structure graphic Answer defined as the artistic carving ore removing hair lengths to create various forms and shapes the hair is viewed as if it is standing straight out from the head in order to identify the structure and how it was created identify the detail in the texture or surface appearance identify the basic form or shape by simply observing the outer boundary or silhouette known as the form line arrangement of lengths across the curves of the head diagram that provides an abstract view of the length arrangement to scale and proportion. Serves as blueprint for final graphic. two basic ways of analyzing hair sculpture natural fall & natural projection hair as the lengths lay or fall naturally over the curves of the head, describes the length Natural fall or level to which the hair falls on the anatomy such as the ear lobe, chin or neck hair is viewed abstractly as if it were projected at a 90 degree angle from the various normal projection curves of the head. Four Basic Forms are solid, graduated, increase-layered, uniformly layered weight created by the concentration of length within a given area. consists of lengths that progress from shorter in the exterior to longer in the interior. 0 solid form degree cut solid form blue, rectangle, unactivated, shorter exterior progressing to longer interior, maximum characteristics weight develops at the form line to the same level consists of shorter exterior lengths that gradually progress toward longer interior graduated form lengths 45 degree angle cut yellow, triangle, unactivated/activated, short exterior gradually progressing to longer graduated form interior, weight is found above the perimeter form line, where the unactivated and characteristics activated textures meet. increase-layered form increase-layered form characteristics uniformly layered form uniformly layered form characteristics Gradation combination forms consist of shorter interior lengths that progress toward longer exterior lengths. red, oval, activated, shorter interior progressing to longer exterior, no concentration of weight since lengths disperse across the curves of the head. has consistent lengths throughout the design 90 degree cut. green, circular, activated, same length throughout, no concentration of weight since lengths disperse across the curves of the head color-coded yellow, is a very short version of the graduated form. shorter exterior lengths gradually progress to longer interior lengths and are generally combined with other forms. include two or more of the four basic forms within a sculpture.