Introduction
Rashomon is a 1950 Japanese spine chiller movie coordinated by Akira Kurosawa, it is based on Ryunosuke Akutagawa's short story of 1922 and is considered probably the greatest film at any point made, it won several awards, remembering the Golden Lion at the Festival for 1951, and in 1952 an Academy Honorary Award at the 24th Academy Awards.
Rashomon was a progressive film when it came out and is as yet discussed today, and its style is being utilized all through film everywhere. Rashomon made the Rashomon Effect which is when there is an occasion with conflicting understandings by different individuals, this impact can be seen all through TV and films. Rashomon utilizes blends many sorts of kinds like Crime, Drama, Mystery, and what feels like a noir with its utilization of lighting and shadows. They additionally break a portion of these kinds of shows all through the film.
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Rashomon is a story about wrongdoing, all the more explicitly it's a tale about recounting a story. The film opens in the tempest, and three men sit in the asylum of Rashomon Gate. A priest, a woodcutter, and a commoner are the three men. The three men are the three primary characters of the story and the story has three view focuses. Fundamentally this film portrays three degrees of narrating. There is a story being told by the woodcutter at the Rashomon door then the subsequent story is told which is in the perspective of the spouse, the third story is according to the perspective of the killed samurai and he attempts to pass on it through a clairvoyant medium. It was the most intriguing part since it was the possibility of a dead individual however it was depicted so that it gave an idea that that might be reality. It was hard to comprehend the last shot where the woodcutter is going with the child.
Summary
The film depicts an alleged rape of a woman in the woods and the death of her Samurai husband. The two other attendees at the scene of the crime are Tajomaru (the bandit) and a woodcutter hidden in the bush.
At the court trial, the testimonies of the suspects are mutually contradictory and seem strongly motivated by factors of self-interest and saving faces. For instance, the Bandit claims that he has killed the samurai with his sword. While the Samurai speaking through a medium from the grave states that he committed suicide with the precious dagger of his wife. The title of the movie has become synonymous with its chief narrative conceit: a story told multiple times from various points of view.
The end of the film is set at the gate where the woodcutter, priest, and the commoner are interrupted from their discussion of the woodcutter's account by the sound of a baby crying. The woodcutter has just told his version of the happening in the wood, but the commoner doesn’t believe him. All the deception and lies at the trial have shaken the priest’s faith in humanity. The commoner finds the baby and takes a kimono and an amulet that has been left for the baby. The woodcutter attacks the commoner for stealing from the abandoned baby. However, the commoner has deducted that the reason the woodcutter did not speak up at the trial, was because he was the one who stole the precious dagger from the scene of the crime. He chastises the woodcutter and mocks him as “a bandit calling another a bandit.” Then the commoner leaves claiming that all men are motivated only by self-interest. Then the woodcutter reaches for the baby in the priest’s arms, but the priest refuses at first. The woodcutter discloses that he expects to deal with the child alongside his own six youngsters. Then the priest gives the baby to the woodcutter saying that the latter has given him reason to continue having hope in humanity. The film closes with the woodcutter, walking home in the sun with the baby in his arms.
A Woodcutter is a man who has happened upon a murder in the forest. He seems to have lost his comprehension of others, it is himself and his own spirit he doesn't comprehend, as he, as well, neglected to come clean with regards to what he found in the forest.
The Priest goes with The Woodcutter at the Rashomon door as the downpour pours down. We discover that he had seen the samurai and his better half venturing to every part of that very day that they were murdered, yet he didn't see much else. The Woodcutter's choice to really focus on the kid reestablishes the Priest's faltering confidence.
The Commoner comes to take cover from the downpour under what survives from the Rashomon door with The Priest and The Woodcutter. This man neither saw the occasions that occurred nor heard the declarations before the specialists. He hears what occurred from the two men's records. The Commoner's viewpoints especially reflect the assessments of the world and it's not unexpectedly excessively straightforward of clarification for why things are how they are, and he likewise fights that people ordinarily are egotistical.
Tajomaru is a scandalous bandit known for doing evil. He is at the focal point of this story as the samurai and his significant other get his way while going through the forest.
Masako is a lady going with her samurai spouse through the forest when the bandit Tajomaru attacks them and powers himself on her. She endeavors self-destruction but comes up short, and toward the finish of her declaration asks the court what a lady such as herself ought to do.
The Samurai passed on after an experience with the bandit Tajomaru in the forest. His soul is subsequently directed through a medium with the end goal for him to tell his variant of what happened that day.
'Rashomon' is one of Akira Kurosawa's most well-known movies, and is presently viewed as perhaps the best film at any point made. It is an extremely huge creation for the Japanese film industry since it denoted its passage to the world stage, a move that demonstrated the ability of Japanese film in the most ideal manner possible. It is viewed as one of the most powerful movies ever, both as far of procedure and style, as it likewise settled Kurosawa as one of the experts of world cinema. Kurosawa set the humanistic and relative reality ideas that are the most prevailing in the film.
'Rashomon' is a really novel movie, especially because of Kurosawa's heading. Beginning with the account, Kurosawa presents a nonlinear riddle, which presents clashing takes on a similar story. Notwithstanding, the component that has an effect is that the crowd never really learns reality, neither with regard to the real occasion nor the court's choice. Cinematography is impacted by quiet movies, also offering significance to every scene. Besides, his visual style offers significance to each grouping.
Since Kurosawa didn't look for authenticity in the acting, and in understanding the style of quiet movies, most of the cast gave overdramatized exhibitions where they utilize their face, signals, and eyes to communicate their sentiments and contemplations, rather than words.
Also, he has used natural light as exemplified in to scene in the wood. In a flashback that presents the case according to the woodcutter's perspective, the hero enters and strolls through the forest conveying a hatchet. The 16 shots that cause the situation show both the woodcutter and the sun through thick trees.
These are the reasons why I can’t stop myself to choose this topic.
After all this examination it’s impossible to conclude what really happened. To tie things together I had to make a combination of logical and creative assumptions myself. We established a couple loves each other the bandit sees and lusts for the woman. After tricking and binding the samurai he gets and shows the wife. The wife attacks the bandit with a hidden dagger. The bandit strains the wife, then she drops the dagger. The husband internally grieves over his violated wife. After Bandit lets go he takes the Samurai’s sword. The wife runs and embraces her husband, but the samurai remains cold towards his wife. The broken wife only sees hatred from him and she can’t bear it. She runs to the Bandit bagging one must die. Not intending to kill Bandit rejects his wife’s demand. The wife grabs the dagger and runs to her husband to cut him free. Then Samurai openly rejects his wife and the Bandit shares similar sentiments. The wife breaks down shaming and scorning both the men, especially her husband. She goes them into a sword fight but they refused, desperately the wife surprise attacks the husband killing him with the dagger. She quickly runs away from the scene, Bandit chases after her in pursuit but ends up losing her. THE END…
So, that’s my theory a little bit of truth and a few lies. Well, this isn’t 100% accurate, that’s the beauty of subjectivity and the constructive genius of the writing. If we are told everything that really happened it would be half as interesting as it is in contradiction there are just enough similar elements in place to show the likelihood, but also enough credible elements to make a counterpoint. An intrinsic quality of Rashomon is not everything is going to make sense, it is fascinating to see different reasons for interpretations and theories about what took place even the wild ones. I hope you enjoyed my theory on Rashomon. If you disagree that would be fine by me.
Conclusion
By the end, we don't believe a single thing we see it's fun to speculate about what could have happened, but the fact is we really don't know what happened, what happened in the grove stays in the grove. All we know for sure is that when men died by a blade in the middle of the woods. who did it or why they did do it? We really don't know, but it doesn't change the fact that this man died no matter how you look at it. It's a tragedy, one that we will never quite understand. But what can we do, what can we make of this? We can ensure that whatever we do from here on is to provide for a better future we can bring happiness and joy rather than sorrow tragedy and pain. That's why the woodcutter adopts a little kid at the end of the movie. he knows that no matter what happened in the grove, no matter what happened between those three people, that has no bearing on the life of this child that here and now this is the right thing to do. and I think that that's a really inspiring message that no matter what pain we might have gone through, no matter what evils would, no matter what wrongs we might have done that doesn't change the fact that we can work towards a better future right now. That no matter how bad you were in the past no matter what misdeeds you might have done, they will live with you and you won't be able to get rid of them, but at least you can strive to be a better person can all strive to be better people and that is the message I took away from Rashomon the humankind may be evil there may be a lot of evil within us but we can always work to do good we can always work. to be honest, we can always work to provide hope for ourselves and for each other.
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