In view of the reader's criticisms, I think Charlotte Perkins Gilman's 'Yellow Wallpaper' is a story that transcends patriarchal barriers like Arab society. I sympathize with the heroine, whose imagination freed her from the suffocating wallpaper patterns in the room. She has been obsessed with patterns and furniture since she was a child, which fascinated me. When he was young, he was obsessed with walls and tiles because he used them to create escape scenes. I used to think that this made me different. Sometimes I even think about changing the world. The protagonist, who is also a narrator, is 'reserved' in a room by her husband John, who believes she has a 'neurasthenia'. He ordered her to stay in her room and stop writing. Therefore, he said from his brother and John's report: u201cPersonally, I don't agree with you.
Personally, I think it's a good job. It's full of enthusiasm and change. That would be a good thing. To my surprise, even though he obeyed human instructions on the surface, he secretly rebelled against the written form. I found that she couldn't stop her from writing exciting because, contrary to the body, mental creativity is beyond charm. His rebellious writing reflects my lonely poetry writing for 11 years. I'm joking because I tend to socialize rather than be alone. The sentence against me was painful because the condemned person was the reason I chose to be alone in the first place. As an eleven-year-old girl with two older brothers, I feel lonely and indifferent to their fights, but I am very angry. My mother warned me not to intervene in her fight so as not to hurt me. Therefore, the privacy of my room has become my infinite universe. Like the narrator's psychological transformation of the wallpaper, I practiced seeing the objects in the room in different ways, so I created a dove from a desk lamp, a classic portrait from a mirror, or a sea wave from a curtain. I turned these material environments into a medium to generate poetry and release my repressed consciousness.
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My imagination can transcend the wall and enter the realm of surrealism. I became the center of my world, and everyone around me thought I was a selfish introvert (surprised!). Given this understanding, I believe in my own experience, and I think the narrator's 'tension' is the result of alienation. Hope you can find a way out through writing. The narrator's description of John is 'care and love'. This is because John's actions are limited to 'special instructions', which surprised me at first. Later, after acknowledging the mock reader's irony, I checked my understanding. John's 'superficial' protection is the same as that of men in Arab society. His 'protection' of women is only to hide his misogyny or 'dignity' from other men. I always wonder if some men are born masculine because even though no one pointed it out, they will actively defend masculinity. Perhaps what caught their attention the most was masculinity! The scratched windows and the noise in the narrator's room reminded me of refuge; repetitive patterns are sure to make people lose their minds. I associate John's choice of room with the misogynist's constant desire to find a home. They want them to do household chores without increasing parenting activities, even within the confines of the house. However, if women complain or cry, they think it is unreasonable.
The irony is that they always complain about the 'reasonable' suffering they suffer in the 'outside world.' This is the case of Juan, who did not discover the cause of his wife's suffering. The narrator's fear of being caught and writing has had the biggest impact on me. It reminds me of how women in society warn each other not to respond to men during fights because it will irritate them because they are 'women.' I have always wondered why men feel so vulnerable that they continue to criticize women's feelings. When the protagonist said: 'I became very fond of this room, I finally breathed a sigh of relief. Maybe it's because of the wallpaper.' He derives from the comfort of the 'unconscious mode', marking his replacement of patriarchal rule with his imagination. This reminds me of my attempts to carry out public reforms, announcing that I am also a person, and sometimes I will be angry like a man, or worse. Now I have matured and my acquaintances have accepted me. They even praised my poems. They don't ask me to change the color of my clothes or my eating habits.
I find my adaptation process to be similar to the narrator's intention to free the woman 'crawling behind the boss' and other people in charge. That is why I always wanted to be a writer. Reform all of society. Sometimes, due to the monotonous 'patterns' around me, I forget my dreams. Then I tried to rejuvenate my conscience, to learn, not to see the hidden meaning of oppression. His fainting did not meet my expectations. I hope that violence can be done, perhaps because I associate the use of violence by men with failure. In reconsidering this matter, I realized that even if his body prevented him from mentally weakening John. I blinked at the mock reader, 'So who is 'unreasonable' now?' I find the 'yellow wallpaper' unforgettable because it makes my narrator smell the same smell. However, it reminds me that a pattern is just a mental object, and its existence depends on my consciousness; the narrator entertains the wallpaper in the same way that I create based on his narrative. The analog reader makes me yearn for the unlimited freedom of women in a world where they won't be disturbed when she meet me. This kind of reading experience makes me appreciate the flexibility of the novel because it syncs with my perseverance. Now I realize that no one can surpass my abilities as a woman. Everything I need is in my heart.
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