Revisiting Caravaggio's Boy Bitten: New Art History Perspectives
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‘Out of studies and observations of his own features – laughing, terrified, grimacing – and of his torso, which he apparently saw in three-quarter length in his mirror, Caravaggio invented his imaginary portrait…of the frightened effeminate boy bitten by a lizard’ In 1955 Walter Friedländer published his seminal work, Caravaggio Studies; a monograph that included comments on the life and...
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