One of my greatest passions is black and white photography! Yet, I don’t think there was a defining moment that sparked my interest in photography, and now I cannot imagine my life without it. Several years ago, my parents graciously gifted me my first DSLR camera for Christmas, and to this very day, it has never failed me! When I explore new places, I document my journey with my trusty Nikon D3200. In my experience, photography is a means of self-exploration, a quest to capture the abstract elements in humans and inanimate objects. Before taking a photograph, I spend a portion of my time surveying the natural light, colors, shapes, textures, and motion presented before me.
Lately, I have been thinking a great deal about the specific reasons I am drawn to black and white photography. Apart from being a beautiful medium for my photographs, black and white photography because it explores the relationship between light and darkness. More specifically, I am interested in studying the emotions highly contrasted black and white portraits elicit over that of colored images. I believe that the choice to manipulate tonal values and the severity of light expression of myself as an artist, rather than the original subject.
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What happens when a photographer resists the attention drawn from the colors in their photographs? In my photographs, the lack of color reveals meaningful narratives that appeal on an artistic and emotional level. The emotional aspect is what I find very important and compelling. I would say that black and white photography is the primary factor responsible for making a photo feel more powerful, mysterious, or even somber. My work has taught me that the most common reason for this artistic choice is to remove color dominance. By removing the color, I took away one of the major elements, the element that is arguably the most distracting.
In black and white photography, the viewer must concentrate solely on the story and emotion behind the photograph rather than aesthetics. My work directs the viewer’s focus to the composition of the image because it is the only way to convey the subject in a way that extracts a deeper meaning. Furthermore, attention is redirected to my content in a way that observes the practical aspects of each photograph, such as light, shapes, lines, and textures. Removing color from my pictures allows the viewer to appreciate common, everyday situations from a new and reinvented perspective. In my work, combining this mystery with authenticity presents a powerful dynamic that requires the viewer to pay greater attention to detail.
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