Use of Figurative Language in The Little Prince: Analytical Essay

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Table of contents

  1. Literary Review
  2. Formulation of the Problem
  3. Hypothesis

The story starts with conversation on the idea of adults and their failure to see particularly significant things. As a test to decide whether an adult is illuminated and like a kid. He shows them an image that he drew at 6 years old portraying a boa (snake) which has eaten an elephant. The adults consistently answer that the image portrays a hat, thus he knows to discuss 'sensible' things to them, as opposed to whimsical. Then the narrator, a plane pilot, crashes in the Sahara desert. The accident gravely harms his plane and departs the narrator with next to no food or water. As he is stressing over his situation, he is drawn closer by the little prince, a kid who requests that the narrator draw him a sheep. The narrator fulfills his request, and the two become companions. The pilot discovers that the little prince originates from a little planet that he calls Asteroid 325 yet that individuals on Earth call Asteroid B-612. The little prince took care of the planet, keeping any terrible seeds from growing and ensuring it will not be overwhelmed by baobab trees. Still, at some point a rose grew on the planet and the little prince became charmed with it. Yet, when he got the rose in obviously lying one day, he concluded that he was unable to put trust in her any longer. He became lonely and chose to leave. In spite of a very late compromise with the rose, the prince set out to investigate different planets and fix his dejection. He has travelled many planets and met with many individuals who lived on it before he came to earth and met the pilot.

The prince then met a fox, who taught him that the essential things in life are only noticeable only to the heart, invisible to the eye. His time spent being away from the rose makes the rose more extraordinary to him, and that adoration makes an individual answerable for the creatures that one loves. The little prince understands that, despite the fact that there are numerous roses, his affection for his rose makes her remarkable and that he is consequently answerable for her. Notwithstanding this disclosure, he actually feels desolate on the grounds that he is so distant from his rose. The prince closes his story by portraying his experiences with two men, a railroad switchman and a sales clerk. The little prince understands that, despite the fact that there are numerous roses, his affection for his rose makes her exceptional and that he is subsequently answerable for her. Notwithstanding this disclosure, he actually feels desolate in light of the fact that he is so distant from his rose. The prince closes his story by portraying his experiences with two men, a railroad switchman and a business representative. It is currently the storyteller's eighth day in the desert, and at the prince's recommendation, they set off to locate a well. The water takes care of their souls as much as their bodies, and the two offer a snapshot of ecstasy as they concur that an excessive number of individuals don't perceive what is really significant throughout everyday life. But the little prince’s mind is fixed on getting back to his rose, and he starts making arrangements with the snake to make a return for his planet. The narrator finally managed to fix his plane on the day preceding the one-year commemoration of the prince’s appearance on Earth, and he walked tragically with his companion out to the spot the prince landed. The snake bites the prince, who ends up falling quietly to the sand. The story ended with the prince finally returning to his planet and the narrator managed to fix his plane.

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The Little Prince was made when Saint-Exupéry was 'expatriate and distraught about what was going on in his country and in the world. According to research, 'the narration of The Little Prince includes a great deal of fantastic, extraordinary aspects. The dream of the Little Prince works in light of the fact that the rationale of the story depends on the creative mind of kids, as opposed to the severe authenticity of grown-ups. The Little Prince draws unflattering representations of adults as being hopelessly biased. Conversely, youngsters come to shrewdness through liberality and a readiness to investigate their general surroundings and inside themselves. The fundamental topic of the story is communicated in the mystery that the fox tells the little prince: 'It is just with the heart that one can see properly: what is essential is invisible to the eye.'

Next to The Little Prince’s brilliantly-written story, different readers may notice different factors that caught their attention. Many of them will do good as research material. For example, you may notice the unique personality of how an adult is portrayed in the story, or you may notice the unique picture of how everything is depicted in the story. But personally, I wanted to dig further into the figuratives language used in the story. According to CFI Education Inc., Figurative language to the utilization of words such that digresses from the traditional request and significance so as to pass on a confounded importance, brilliant composition, clearness, or suggestive examination. It utilizes a standard sentence to allude to something without legitimately expressing it. Fiction scholars utilize figurative language to draw in their crowd utilizing a more imaginative tone that incites thinking and once in a while humor. It makes fiction composing more fascinating and sensational than the strict language that utilizations words to allude to articulations of reality. There are a few kinds of metaphorical dialects that are utilized in present day composing. They incorporate Simile, Metaphor, Hyperbole, Personification, Synecdoche, and Onomatopoeia.

A simile is a hyperbole that analyzes two dissimilar things and utilizes the words 'like' or 'as' and they are normally utilized in regular correspondence. A simile is utilized with the point of starting an intriguing association with regards to the reader’s mind.

A metaphor is an explanation that looks at two things that are not the same. In contrast to simile, illustrations don't utilize the words 'like' or 'as.' Such proclamations possibly bode well when the reader comprehends the association between the two things being analyzed.

Hyperbole is an exaggeration that is made to stress a point or draw out a funny part. It is regularly utilized in ordinary discussions without the speaker noticing it. The exaggeration is ludicrous to the point that nobody would accept that it is valid. It is utilized to add profundity and shading to a statement.

Personification is the attribution of human qualities to non-living articles. Utilizing exemplification influences the manner in which readers envision things, and it starts an enthusiasm for the subject.

Synecdoche is a sort of allegorical language that utilizes one of its parts to allude to the entire, or the entire to allude to the part.

Onomatopoeia is a figurative language that gives names to an object or activity by imitating the sound it made. They add some point of realism to the literature work.

Literary Review

It’s been 77 years since The Little Prince first published, and somehow the literary work is still on the line for each own purposes. Education material, object of research, or even solely as entertainment. How did this literature work survive the test of time holds many questions for it. The function of such literary work is to act as the dominant note of the period in which it is born. Good writing is something valuable, which in spite of travelling the passage of time, not only remains relevant but also acquaints the reader with the past — with the way of society as it was as well as with questions and the affecting the mood of the people. In his paper, 'On Literature Today', written by Van Wyk Brooks , “The public has a right to expect from its poets and thinkers some light on the causes of our questions and problem and the way to a better future.” Therefore, it's possible to call great literature as the “soul” of society (at least for the reading one it is). (M.Saad, 2018)

Each age has seen the rise of the significant authors who formed the reasoning and sentiment of the general public they lived in. Accordingly, the 'nauseating business' of composing — the same number of experts including DH Lawrence have called it — accompanies a specific measure of obligation. Today is miserable that, in the hours of purposeful publicity, numerous authors remain reserved from this obligation. Or maybe, they become mouthpieces of political outfits they venerate and attempt to persuade their reader with their impressive thoughts. Great writers such as Saint-Exupéry of the past made them think in such manner: they shared the state of mind of their individual social orders with most extreme earnestness in their works. They volunteered to feature the defects of the social orders they lived in. They were for truth, and truth alone. Thus, their thoughts never blurred — they all composed with an abstract reasonableness more slanted towards truth and had the option to shape their contemporary reality.

Adored since its publication in 1943, Antoine De Saint-Exupéry’s The Little Prince is an charming tale saturated with life lessons that tells the story of a small boy who takes off the security of his claim minor planet to travel the universe, learning the complexities of grown-up conduct through a arrangement of unforeseen experiences. Reading is not easy all the time, especially doing it wisely. One of the important aspects of a good book is its endeavour to persuade us towards the importance of an idea. Some of the points and ideas made by these writers never lost its relevance because they were adopted by writers in the future.

Formulation of the Problem

Why does Antoine de Saint-Exupéry use so many figurative language in it’s writing?

Hypothesis

Figurative languages just like metaphors, similes, and metaphor goes beyond the literal meanings of the words to give readers new insights. Then again, alliterations, imageries, or onomatopoeias are figurative devices that appeal to the senses of the readers. The Little Prince story came with several picturization of the author’s story, which kind of limits the idea, imagination, and depiction of it’s story, but helps in delivering the accurate picture of the story. Despite all that, the author still uses figurative languages in this story in order to enhance the reading experience of the reader and add depths to the story itself.

'I pointed out to the little prince that baobabs are not bushes but trees as tall as churches'.

For example, when the pilot (narrator) is trying to tell the little prince about the size of the actual baobabs on earth, he uses the simile figurative language to let the reader know that the writer refers to the reality, not based on his imaginations. In conclusion, the figurative languages used in this story are meant to deliver more correct and accurate picture of the story while also adding depth and shading.

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