It is often said music has no boundaries. After I took this class, I think, of all the music forms, perhaps no one has the power to transcend race, national borders, and gender more than jazz. Jazz music originated in the United States and has its roots in Africa, combining African and European musical traditions. On the stage of jazz, blacks and whites, Christians and Muslims, and men and women use music to express themselves and infect others.
While taking the course, the jazz style that attracts me most is Bebop. In the early 1940s, a number of innovative and daring jazz musicians began experimenting with music to find a new style. So in the end-of-term essay, I would like to talk about Bebop. Bebop is a radical jazz style that can be seen as a precursor to modern jazz. The main difference between Bebop and Jazz-rock music is that Bebop performers participate in impromptu performances, often abandoning the melody and emphasizing the freedom after the first theme performance which is full of adventure. Therefore, Bebop performers should be very sharp and flexible. They like to improvise on the basis of complex harmony, so they often compose some original harmony advances.
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Bebop was founded In the 1940s, by Dizzy Gillespie, Thelonious Monk, Bud Powell, and Charlie Parker. Then they became a major figure in the development of bebop and modern jazz. Dizzy Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks, and his light-hearted personality provided some of bebop's most prominent symbols.
Charlie parker's life is a confusing legend novel. In addition to the passion in his music, the lyrical and touching alto saxophone played by the blues element is particularly striking and reminiscent. His playing skills are unparalleled, no matter in the small compilation Leading the turn of the phrase, or the radiant solo section in the Big Band Club of Kansas City, no matter how Parker takes drugs, drinks, and indulgences, as long as he contains a saxophone mouthpiece, every melody played is unprecedented. When playing side-by-side with the trumpet player Dizzy Gillespie, the rhythm speed seems to reach the inhuman supreme level. The legendary alto saxophonist Charlie Parker was one of those rare artists who seemed to come out of nowhere, captivating peers and fans so quickly and completely that the world was changed forever. Parker's innovative phrasing and his discovery of previously unexplored melodic and harmonic possibilities put him at the head of a group of bebop innovators.
I enjoy their “Salt Peanuts” most. 'Salt Peanuts' has the 32-bar AABA structure and harmony and a four-measure riff phrase played twice in each A section and a slightly more complex bridge. The melody is moving, not contrived, not sad, full of fun, and very interesting. Especially Dizzy Gillespie's trumpet, it's really amazing, coupled with a cartoon-like harmony, this piece is best for you to listen to when you are in a good mood, like adding a few white clouds to the beautiful blue sky in your heart.
Because of this course, I got a chance to know about Jazz and the story behind each song and Jazz performers. They are all fantastic. The knowledge I learned from this course helps me to enjoy Jazz and makes me love it.
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