Therefore, she is the true tragic figure and deserves to die in the fifth act. L. T. Fitz complains about the sexist attitudes of critics: In analysis of Shakespeareâs plays critics often employ comparisons of characters from different plays; for example, Hamlet has a more complicated state of mind, is more pensive and more calculating than Othello; or, while King Lear dies almost altruistic, Hamlet does ever self-centered. As for Cleopatra, noone ever rightfully compares her with Hamlet, Othello, or...
2 Pages
1015 Words
In âAntony and Cleopatraâ Enobarbus is a trusted follower and close friend of Antonyâs, who has the freedom of speaking openly about personal issues that Antony confides in him about. Although he has limited influence over Antony when compared with the Queen of Egypt, Cleopatra, overall Enobarbus has an extremely important role in the play, acting as the face of the audience, as well as being used by Shakespeare to build tension through the subtle foreshadowing in Enobarbusâ dialogue. Enobarbusâ...
3 Pages
1270 Words
According to the OED, the etymology of the word âgraveâ illuminates that it originates from Germanic dissent and can be traced back to the Old English word âgraefâ, the Dutch word âgrafâ, and the German word âgrabâ. Adding on, grave also comes from the Old English root, âgrafanâ, which means to dig, or to engrave. Similarly, the Old High German word graban has meanings such as to dig and to carve. The modern versions of the word âgraveâ include the...
4 Pages
1987 Words
Antony and Cleopatraâs love for one another is the prominent theme throughout the play, and although both characters profess to an incomparable âpeerlessâ love, they encourage doubt in the audience by acting in a manner that appears to contradict this. This is demonstrated by Cleopatraâs bullying, manipulative manner and also with the ease with which Antony dismisses their relationship in front of Caesar and his marriage to Octavia. Ultimately, Shakespeare intended for the audience to question the genuineness of Antony...
6 Pages
2951 Words
Immediately after the release of Anjan Duttâs film Srijit Mujhkerjeeâs Zulfiqar came out in October 2016 and the audience witnessed a combination of Julius Caesar and Anthony and Cleopatra [Figure 29]. The first half of the film adapts Julius Caesar, while the latter half adapts the plot of Anthony and Cleopatra and the two halves are skillfully linked instead of mixing them throughout the film. In Zulfiqar, the city of Rome is replaced with the brutal politics of the dock...
3 Pages
1151 Words
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Cleopatra, âEgyptâs Queen,â is arguably Shakespeareâs most resilient and enchanting female protagonist. She is personified as the embodiment of her country, âthe soul of Egyptâ, and defies the reductive Jacobean âmost monster-likeâ perspective of women. The Renaissance stereotype of the subordinate and inferior female is in total juxtaposition to the possessive and shrewd characteristics that Cleopatra possesses, as she is in fact âa wonderful piece of work.â Cleopatra manipulates her associates and subordinates through her alluring sexuality and âinfinite variety,â...
2 Pages
992 Words
Cleopatra is described as someone with infinite variety. âage can not wither her, nor custom stale her infinite varietyâ. The way in which Antonys own friend describes Cleopatra this way implies the idea that even though she is incredibly beautiful; which firstly attracted Antony she is in fact hard to work out and determine, due to her constant changing moods and the amount of them that she does have. This change in attitude could be seen as one of the...
2 Pages
772 Words
As seen in the first few sentences Shakespeare displays how shocked and confused Cleopatra is that the love of her life and the warrior and protector of so many has been defeated. It could be said that she feels that for this to happen the world must be changed, and for the worst as âyoung boys and girls are equal to menâ which in those times age came with experience and you had to earn your place. There is a...
2 Pages
743 Words
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