Romanticism During Renaissance: Critical Essay on Painting Woman

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The artwork I chose is The Portrait of a Woman by an unknown artist from the year 1567. The artwork depicts a woman from the Renaissance. Because this artwork was painted in the year 1567, I know it is from the Renaissance period. I also know this artwork is from the Renaissance period because the woman’s clothing has more parts, there is the presence of a ruff, and she has a small waist. It is most likely set in England in the Elizabethan Era. All of these are big defining features of the Renaissance period. Immediately, based on the materials the woman is wearing and the jewels that are adorning her outfit, I was able to infer that the woman is wealthy and from the upper class. This painting depicts what upper-class women wore during the Renaissance. Members of the upper class would have worn this clothing ensemble to show off their wealth, power, and dominance, all of which are principal themes of this artwork.

In this painting, there is a woman wearing a dress ornamented with valuable jewels. She is also wearing a head garment and puffed-up sleeves. I also can see that she is wearing a pleated lace ruff. I noticed that she is holding something in her hand which looks to be a bag. I assume that the bag is holding riches or jewels, something valuable. During the Renaissance period, people used clothing to show their social standing.

The background of the painting is rather dark, and on the side, I can see gold pillars with ancient figures depicted on them. The woman’s dress in the painting is red, which was a symbol of wealth and status at the time. Red dyes, especially the cochineal dye from the cochineal insect were very popular and elusive at the time. The dress is embroidered with intricate floral patterns and is made from luxurious fabric, most likely velvet. It appears that the dress is lined with gold. It seems that the dress could be laced with gold. The puffy sleeves are separate and decorated with delicate white fabric. I can see a pendant on the center of the woman’s chest and buttons lining the front of her stomach or coset. It emphasizes her small waist and the bottom half of her dress makes her hips appear wider, signifying her feminity. It appears that the woman is wearing a farthingale to enhance her hips and further display her feminity. The wheel-shaped farthingale also adds shape and support to the bottom half of her dress. Farthingales were a staple of the Renaissance era for women.

What I find interesting is that her headpiece has a leaf attached to it. The leaf could symbolize fertility and growth. The figure’s skin is very pale, which was in vogue during the Elizabethan era of England when this painting was created. The woman in the artwork powered her face to make it appear especially white. This is something that Queen Elizabeth I did, as depicted in the 1592 painting by Gheerarts. Queen Elizabeth was the inspiration for this trend. Furthermore, the fact that the woman in the painting is wearing lots of layers of jewelry further accentuates her wealth and high social standing.

The hat the woman is wearing is red and embroidered with patterns similar to the dress. I see that the woman is wearing cuffs at the end of her sleeves, matching the ruff. They are made of the same material and have the same design. Since the cuffs and ruff are made of lace, a labor-intensive and luxurious material, that is another sign that the woman is from the upper class. I saw that the bottom half of her dress is cut into a v-shape, exposing a cloth-like material underneath. The dress from the woman in the painting is most likely layered, and the cloth-like material is a part of her undergarment that is being exposed.

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Something else worth noting is the woman’s hairstyle depicted in the painting. The woman’s hair is pushed back, displaying her forehead. No bangs are visible. Moreover, the woman’s hair is tied up, as opposed to being down. Most of her hair is covered and tucked behind the hat. The hat is decorated with patterns similar to those on her dress. One can argue that the pattern is floral. Lastly, the hat was most likely made of silk or velvet.

One of the things that stands out to me the most is the woman’s elaborate jewelry. I see that she is wearing several necklaces around her neck, however, she is also wearing jewels around her v-shaped stomacher. She is grasping the jewels in her hand, in a delicate yet firm way. I believe this is to further highlight her high status and her domination over the people of the lower classes.

The materials present in this painting a cloth, velvet, lace, and perhaps silk, too. These are materials that were available to the upper class. This clothing ensemble consists of separate parts that were brought together. During the Renaissance, separate sleeves were a way of displaying femininity.

There are patterns sewn onto the outfit, as well as embroidered floral patterns, and pieces of white cloth. There are buttons and also beads of several kinds located throughout the outfit. This ensemble was probably custom-designed for the woman and constructed carefully by a dressmaker. It seems that the ensemble is tight and allows for limited movement and mobility. This was a common feature of upper-class clothing. Fashions of the lower class, conversely, were more looser and practical, allowing for better and more effective movement.

In conclusion, it is clear that the main theme this artwork aims to portray is wealth and power. It accurately represents what a powerful, upper-class woman would have worn during the Renaissance period. Through luxurious clothing, this artwork highlights the economic and political power that the subject had at the time. Clothing during the Renaissance period was very telling of who you were in society. The valuable jewelry, red dress, silk materials, and lace ruff, are some of the aspects of the artwork that emphasize the high social status of the woman. Because she was wearing these garments, it would be easy to tell that she is a member of the higher class or aristocracy. Someone of the lower classes would not be wearing jewelry of this quality. They also would not be wearing silk, as it was very costly. Not only does this artwork portray the themes of wealth, power, and dominance through clothing, but it also helps one see what clothing was like during the Renaissance in general in terms of what materials were used, what colors were popular, and what women wore to emphasize their femininity.

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Romanticism During Renaissance: Critical Essay on Painting Woman. (2023, August 29). Edubirdie. Retrieved May 9, 2024, from https://edubirdie.com/examples/romanticism-during-renaissance-critical-essay-on-painting-woman/
“Romanticism During Renaissance: Critical Essay on Painting Woman.” Edubirdie, 29 Aug. 2023, edubirdie.com/examples/romanticism-during-renaissance-critical-essay-on-painting-woman/
Romanticism During Renaissance: Critical Essay on Painting Woman. [online]. Available at: <https://edubirdie.com/examples/romanticism-during-renaissance-critical-essay-on-painting-woman/> [Accessed 9 May 2024].
Romanticism During Renaissance: Critical Essay on Painting Woman [Internet]. Edubirdie. 2023 Aug 29 [cited 2024 May 9]. Available from: https://edubirdie.com/examples/romanticism-during-renaissance-critical-essay-on-painting-woman/
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