During the Great migration times, moving men had almost no open doors in their lives. These men made a trip from spot to spot with no family, no companions, and no home. Achieving the American Dream was the main thing that kept these men persuaded in existence with would like to one day accomplish them. In John Steinbeck’s novel, Of Mice and Men, the author completes an extraordinary theme showing this thought by utilizing character’s persuasive dimensions all through the story while either having dreams or not. He supports his theme of how expectations and dreams can keep individuals roused by utilizing extreme occasions as a directing variable for goal, a desolate African American to demonstrate the impacts of having nothing to anticipate, and an old, forlorn character to demonstrate that even subsequent to surrendering, one can recapture their expectation.
To start, Lennie and George are the two fundamental characters that Steinbeck utilizes in his novel. These two characters are prime models demonstrating that expectation and dreams go far and keep individuals propelled even in harsh occasions. George and Lennie had nobody yet one another and they experienced their lives doing difficult work, doing it to achieve their objective of in the end having their own farm: ‘An’ live off the fatta the lan’,’ Lennie shouted. ‘An’ have rabbits. Go on, George! Tell about what we’re gonna have in the garden and about the rabbits in the cages and about the rain in the winter and the stove, and how thick the cream is on the milk like you can hardly cut it. Tell about that George.'(Steinbeck 120). At first, the dream was only a story George would tell Lennie, but he told it so intensely and vividly, that it became George’s dream as well.
Despite the fact that Lennie and George had a similar dream, they had different ideas of what they were going to do once they achieved it. Lennie was essentially enthused by the fantasy of having his own creatures, explicitly delicate creatures like rabbits, that he could pet and play with: ‘Lennie yelled. ‘A’ have rabbits. Go on, George! Tell about what we’re going to have in the greenery enclosure and about the rabbits in the pens….'( Steinbeck 121). For Lennie, the fantasy was not finished without the rabbits being there, they were the superstar for him, the best thing to anticipate. Then again, George had an alternate vision and thinking to anticipate the fantasy ranch, he couldn’t hang tight to work for himself and have all-out opportunities. For as long as he can remember he had quite recently been the carrier of so many burdens with weight upon weight being put over him, including Lennie. For example, George once said to Lennie, ‘God almighty, on the off chance that I was separated from everyone else I could live so natural. I could go find a new line of work a’ work, a’ no inconvenience. No chaos by any means, and when the month’s end come I could take my fifty bucks and go into town and get anything I desire.’ (Steinbeck 89). This represents the way that George unmistakably realizes that Lennie was a weight to him when their companionship began, as their relationship developed and become increasingly good, George put his disappointments aside, and the fantasy of having his own ranch started to move toward becoming something that could be a reality. George utilized his fantasy ranch as inspiration to slight low desires that were put upon him by society, to prosper into something that where it counts, he realized he generally could turn into.
Conversely, Crooks was an injured African American man who lived in the stable at the ranch and was affronted while treated horrendously by his encompassing nature. He can regularly be found independent from anyone else in the stable. Steinbeck utilizes the setting wherein this story happens, to foretell prejudice and subjection in the southern USA: Although Crooks is dealt with like a slave, in actuality his past was a superior time for him to his present circumstance. Steinbeck incorporates ‘ I ain’t no southern negro,’ he said. ‘I was brought into the world appropriate here in California. My father had a chicken ranch, ‘session ten sections of land. The white children come to play at our place, an’ occasionally I went to play with them, and some of them were entirely decent. My ol’ man disliked that. I never knew till long later why he didn’t that way. Be that as it may, I know presently.’ Crooks shields himself from the weight of a cliché dark man being set on him. Now, Steinbeck sets up the way that one ought not to pass judgment and infers that looks are misdirecting. Crooks originated from a landowning family that was treated with the most extreme regard. But at the same time, Crooks was educated by society not to have any goals since he could never contact them because of the shade of his skin. Mentally, this affected Crooks adversely and made his life harsh and before long shaped him into an unpleasant individual. In addition to the fact that Crooks was suspicious of himself, he was left somewhere near the general population around him. At the point when Lennie first raises the subject of the fantasy ranch to Crooks, he basically says, ‘They come, a’ they quit a’ go on; an’ each damn one of them has a little real estate parcel in his mind. A’ never a God damn one of them ever gets it.’ (Steinbeck 42). Crooks sees himself as quieter and useless and watches every other person around him quit as well. This persuades him that accomplishing his fantasies isn’t a probability for him. Crooks grows up watching disappointment assume control over his life and watching disappointment affect the general population around him. Crooks have only experienced and seen disappointment in his life, which has moved his point of view into seeing that notwithstanding looking past race, dreams absolutely never moved toward becoming reality. He has no inspiration and carries on with a desolate life, so therefore, no one else can. Shockingly, the vast majority of Crooks’s difficult occasions were enacted by prejudice. He had no family, companions, assets, nothing to anticipate or to be with; and along these lines no expectation.
Progressing with the topic, the character known as Candy, an old, disabled man who has no utilization on the ranch, goes about between the different sides of the topic. All through the story, we watch his character create from this troubled elderly person with no expectation, and dread of being commenced and supplanted on the ranch; to another man with an objective he was resolved to reach. At the start of the novel, this character was degenerate and had no inspiration left to carry on his life. The main thing he had left was his dog of many years. The gathering of people plainly observes that he feels along these lines after an auxiliary character, named Carlson, shoots and slaughters his dog. Candy Vocalizes, ‘You saw what they have done to my canine today around evening time?…. When they can me here I wishn’t somebody’d shoot me…’ (Steinbeck 59). Candy is plainly in a condition of gloom and depression, and feels the need to take his life because he has nothing left for him throughout everyday life. Candy legitimately expresses that he would prefer to die than proceed with his vacant life on the ranch. As the novel advances, Lennie and George enlighten Candy concerning the fantasy ranch, and Candy quickly offers his responsibility to the mutual dream, decisively. He is so needy for something in his life he even decides to leave the majority of his cash after he argues his pledge for the homestead: ‘I gotta think about that. We were always gonna do it by ourselves.’ Candy interrupted him, ‘I’d make a will an’ leave my share to you guys in case I kick off, ’cause I ain’t got no relatives or nothing…’ (Steinbeck 59). Candy would effectively be a recipient of the American dream with Lennie and George. He is put aside by laborers and the supervisor but now has expectations that one day he can break free and join Lennie and George in their future dreams of owning a ranch and his days at the ranch don’t become so miserable. The article Small Things Considered: Raising Arizona and Of Mice and Men makes reference to an explanation that truly emerged to represent how sunk into the possibility of this fantasy Candy was, ‘As others endeavor to horn in on the fantasy (similarly as Candy and Crooks ask to be let in on George and Lennie’s fantasy)’. This quote basically says that Candy was so desperate that he didn’t care if it was his dream or not, if it improved his lifestyle, he would accept.
To finish up, Of Mice and Men show the subject of the impact of having goals and aspirations can have on a person. It is depicted all through the story by showing the activities and wants of the principal characters, those with desires and those without. Another thought exemplified in the novel is that the minor experience of seeing other people who are making progress toward an objective can rouse another to need to dream greater and work more enthusiastically. In general, Steinbeck enlivens the significance of hard work and dreams.
- Hill, Rodney. “Small Things Considered: Raising Arizona and Of Mice and Men.” go.galegroup.com/ps/retrieve.do?tabID=T001&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm¤tPosition=8&docId=GALE%7CH1100002835&docType=Critical+essay&sort=RELEVANCE&contentSegment=LRCCLC&prodId=GLS&contentSet=GALE%7CH1100002835&searchId=R5&userGroupName=fl_brwrd212&inPS=true.
- Lobodziec, Agnieszka. “Black Male Marginalization in Early Twentieth Century American Canonical Novels: The Great Gatsby and of Mice and Men.” go.galegroup.com/ps/retrieve.do?tabID=T001&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=BasicSearchForm¤tPosition=11&docId=GALE%7CA350792371&docType=Essay&sort=RELEVANCE&contentSegment=ZLRC-MOD1&prodId=GLS&contentSet=GALE%7CA350792371&searchId=R1&userGroupName=fl_brwrd212&inPS=true.
- Steinbeck, John. Of Mice and Men, John Steinbeck. Spark Publishing, 2014.