Concept of Dying Oceans in 'The World Is Too Much with Us': Critical Analysis

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The line 'the world is too much with us' means that humans have disrupted nature's natural cycle. They created a man-made world, jeopardizing the purity of the environment in which they exist. According to the poet, the relationship between nature and humans used to be respectable, but it is deteriorating day by day as a result of increased urbanization. The new world, as a result of industrialization and urbanization, has an excessive amount of control over nature. We, as modern humans, are so preoccupied with our lives, which revolve around money and other worldly things that we frequently fail to appreciate the natural world around us. The new human forgot that he could never control or play with nature. After all, he is the one who lives there. By being a part of a person's daily life, the materialistic world is able to control them. Everything a person does is influenced by the world of materials. Humans today desire to sustain a way of life. This way of life comes at a cost: it robs us of our ability to identify with nature and appreciate the world around us. People become unconscious of their wider, and probably more essential, environment by focusing their 'powers' on material objects.

The dying oceans- Nature is God's wonderful creation and it should be preserved as such. When we look around the world, we see that the majority of it is covered in a gorgeous blue. That is to say, the oceans. Mankind, on the other hand, enjoys playing tricks on nature. They believe they can simply dominate nature. Humans are successfully destroying the real world around them with the capabilities of technological advances. But how far can they go in this man-made world? Nature will eventually retaliate against mankind, and human civilization will come to an end. Those days aren't that far away. The most prominent example is the worldwide depletion of oceans. According to the first thorough analysis, only 13% of the world's oceans are still unaffected by human activities. Outside of the farthest reaches of the Pacific and the poles, nearly no ocean has a natural abundance of marine life. The researchers discovered that large fishing fleets, global commerce, and pollution running off the land are combining with climate change to harm the oceans. In addition, only 5% of the remaining ocean wildness is protected by current marine protected areas. Kendall Jones of the University of Queensland in Australia and the Wildlife Conservation Society, who led the new research, said, 'We were startled by exactly how little maritime wildness exists.' “The ocean covers more than 70% of our world, but we've managed to have a substantial impact on practically every aspect of this massive ecosystem.” The final remains of nature, according to Jones, demonstrate how vibrant ocean life was before human activities took over the world. He described them as “time machines.” “They have unrivalled levels of marine biodiversity and are among of the few sites on the planet where big populations of apex predators like sharks may be found.” The new study adds to a slew of recent research that have highlighted the threat to oceans. In January, scientists warned that the oceans are suffocating, citing the quadrupling of massive dead zones since 1950, while in February, new maps indicated that half of the world's oceans are now industrially fished. “Oceans are under threat now more than they have ever been in humanity's civilization,” Sir David Attenborough said in December at the conclusion of the BBC series Blue Planet 2. Jones added that Arctic wilderness regions that had been protected by ice cover in the 1970s had now been lost when the ice receded and fishing boats were able to access them. “In the future, as climate change worsens, I believe you can definitely argue that very much everywhere in the ocean is going to come under higher levels of threat” he said. It is past time for humanity to realize that they can never play with nature, and that if they do, the consequences would be the worst they can fathom. We as humans continue to fail to compliment the environment, even after actively supporting it. It's a case of now or never.

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During the First Industrial Revolution, William Wordsworth composed these lines. It was a pivotal period in history. The poem's environment, for example, is significant since it conjures up an idyllic and romantic vision of nature. Wordsworth encourages the reader to appreciate nature and all she has to give from an undiscovered spot by the sea. In the initial words, he has chosen strong language to express his point of view. 'The world is too much with us,' says the narrator. He elaborated on the concept by claiming that we 'squander our powers' when we spend our time, minds, and energy 'getting and spending.' In other words, he claims that people are so preoccupied with earning and spending money that they have lost sight of their various untapped potentials. Their time is accounted for by their behaviors of making money, spending money, and caring for their goods because they are so consumed by their own greed for more money. Money and material belongings are far more essential than they should be, according to the author. Wordsworth's language is simple and straightforward, conveying a clear message to the audience. He bases the poem on a few strong universal themes that provide logic and make sense to the audience. He chooses simple terms that are appealing to the general audience to read and comprehend with a sense of connection. He chooses simple terms that are appealing to the general audience to read and comprehend with a sense of connection. Wordsworth discusses how consumerism has had an overpowering effect on us, and how we have been dazzled by the glory of fleeting lights. He doesn't publicize his intentions with euphemisms, double-speak, or bureaucratic jargon. For his readers, he delivers the harsh reality. The first line is an unequivocal declaration of strong opinion. The reader is thrown into the deep end when the speaker states that there is too much of everything, from the money we crave to stuff, and that we are being paid to spend as soon as we are able, when we are young, and that it is never too late to start spending. He follows a well-thought-out procedure that contributes to the pieces' cohesion and consistency. Each of the words has a consistent theme. Wordsworth's expertise in building a stunning structure that blends worthwhile concepts and a rhythmic pattern of sounds is responsible for the poem's coherence. Wordsworth skillfully combines content and form to create a structure that emphasizes their intertwining. ??The structural relevance of the sonnet as a symbol for its content?? is undeniably true of this sonnet. People sacrificed their resources, abilities, and emotions once they were on the factory treadmill, according to Wordsworth, who lived through the first industrial revolution. This is referred to as a 'sordid boon or a “shameful gift by the speaker, who is almost certainly Wordsworth himself. Finally, Wordsworth employs personification in the poem to bring nature to life. For example, the sea 'bares her bosom to the moon,' implying that nature is there and ready for humans to notice her beauty. As a result, Wordsworth employs personification as a call to action, urging his audience to reconnect with nature. When he mentions 'Proteus emerging from the sea' and 'Triton blowing his wreathed horn,' he is making allusions (references to other stories or personalities). This calls to mind Greek mythology, which can convey everything about a story in just a few words. His ornamentation and symbolic discourse are exact and in line with the spirit. Internal rhymes give the work a lovely texture and melody. Like the terms in the first four lines- late, waste, nature, and away- they also help to keep the idiomatic pulse going.

Too much- When it comes to poverty, illness, and unemployment, there is much too much suffering in the globe. People can educate themselves for the rest of their life, but they will never reach the level of the desired world.

  • Getting and spending- Humans are so preoccupied with getting and spending that they overlook the importance of enjoying life.
  • Late or soon- Late or soon, the country's government will realize what they are doing to the local population is wrong, and they will not be able to hide forever after making such mistakes.
  • Giving our hearts away- We are giving our hearts away to a materialistic world that will not last long and will only leave us with sorrow.
  • Sordid boon- If technology and science are used against nature, they are a sordid boon on humanity
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Concept of Dying Oceans in ‘The World Is Too Much with Us’: Critical Analysis. (2022, September 27). Edubirdie. Retrieved May 5, 2024, from https://edubirdie.com/examples/concept-of-dying-oceans-in-the-world-is-too-much-with-us-critical-analysis/
“Concept of Dying Oceans in ‘The World Is Too Much with Us’: Critical Analysis.” Edubirdie, 27 Sept. 2022, edubirdie.com/examples/concept-of-dying-oceans-in-the-world-is-too-much-with-us-critical-analysis/
Concept of Dying Oceans in ‘The World Is Too Much with Us’: Critical Analysis. [online]. Available at: <https://edubirdie.com/examples/concept-of-dying-oceans-in-the-world-is-too-much-with-us-critical-analysis/> [Accessed 5 May 2024].
Concept of Dying Oceans in ‘The World Is Too Much with Us’: Critical Analysis [Internet]. Edubirdie. 2022 Sept 27 [cited 2024 May 5]. Available from: https://edubirdie.com/examples/concept-of-dying-oceans-in-the-world-is-too-much-with-us-critical-analysis/
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